6 hours 35 minutes
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«Ot Baha do Shostakovicha» — novaya kniga mitropolita Ilariona (Alfeeva), gde pokazana evolyutsiya muzyki na protyazhenii bolee dvuh stoletiy i raskryty chelovecheskie dramy, stoyaschie za velikimi kompozitsiyami. Smertelnaya bolezn Pergolezi, gluhota Bethovena, sumasshestvie Shumana, tyazheleyshiy tvorcheskiy krizis Rahmaninova — eti i drugie zhiznennye obstoyatelstva ne pomeshali velikim kompozitoram zhit i tvorit, a ih proizvedeniya do sih por yavlyayutsya neprevzoydennymi shedevrami i po pravu schitayutsya klassikoy. V kakom smysle Baha mozhno nazvat pravoslavnym kompozitorom? Kak svyaschennyy san skazalsya na tvorchestve Vivaldi? Pochemu Bethoven pomyshlyal o samoubiystve, i kak Hristos pomog emu preodolet eti mysli? Chto pobudilo Chaykovskogo i Rahmaninova vzyatsya za sochinenie duhovnoy muzyki? Pochemu Stravinskiy napisal «Simfoniyu psalmov»? Kak na Hindemita povliyali smert angliyskogo korolya i freski Dzhotto? Ob etom i o mnogom drugom idet rech v knige. Pered vami uvlekatelnoe puteshestvie po epoham, stranam i partituram: ot Ioganna Sebastyana Baha, chya muzyka — i duhovnaya, i svetskaya — posvyaschena Bogu, do Dmitriya Shostakovicha, chi proizvedeniya stali letopisyu epohi i svidetelstvom togo, chto nikakimi ispytaniyami nevozmozhno slomit chelovecheskiy duh.